This is an advance review out of the Toronto International Film Festival.
Bradley Cooper makes an impressive directorial debut with the fourth iteration of the classic tale Hollywood is obsessed with, and while the plot starts to drag in the second act, Cooper manages to bring it all back together in a moving third act that sneaks up on you, grabs your soul, and hugs it.
The film starts with the deafening sound of a concert, the sound design making you feel both the excitement of being in a fully booked arena, and the pain of incredibly loud music. You will want to cover your ears at times, probably a way for the filmmakers to make you sympathize more with the lead character of Jackson Maine (Cooper, pulling double duty as director and co-lead) who – in addition to being a drunk and a drug addict – is also suffering from tinnitus.
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Bradley Cooper makes an impressive directorial debut with the fourth iteration of the classic tale Hollywood is obsessed with, and while the plot starts to drag in the second act, Cooper manages to bring it all back together in a moving third act that sneaks up on you, grabs your soul, and hugs it.
The film starts with the deafening sound of a concert, the sound design making you feel both the excitement of being in a fully booked arena, and the pain of incredibly loud music. You will want to cover your ears at times, probably a way for the filmmakers to make you sympathize more with the lead character of Jackson Maine (Cooper, pulling double duty as director and co-lead) who – in addition to being a drunk and a drug addict – is also suffering from tinnitus.
Continue reading…
Continue reading...