There is nothing quite like a good apocalypse, and when the cause of that apocalypse is unclear as it starts to unfold? Well, that can be even better. Placing the audience into the shoes of a protagonist who has no idea why the world around him (or her) is crumbling is a very powerful tool and one that the John Cusack-Samuel L. Jackson starrer Cell initially uses to great effect.
Directed by Tod Williams and based on the novel by Stephen King (who worked on the screenplay with Adam Alleca), Cell opens with Cusack's Clay Riddell landing at the airport in Boston. Before he can even make his way out of the terminal, people around him begin losing their minds and viciously attacking anyone and everyone (including hurting themselves).
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Directed by Tod Williams and based on the novel by Stephen King (who worked on the screenplay with Adam Alleca), Cell opens with Cusack's Clay Riddell landing at the airport in Boston. Before he can even make his way out of the terminal, people around him begin losing their minds and viciously attacking anyone and everyone (including hurting themselves).
Continue reading…
Continue reading...