Inside Out was reviewed at the Cannes Film Festival and will hit screens stateside June 19, June 25 in Australia, and July 24 in the UK.
Pixar’s fifteenth feature sees the animation superpower thinking and feeling its way back to their best. Coming after a worrying dip in form, including lacklustre, strategic sequels to merchandising cash cows Cars and Monsters Inc, the studio is back with one of its most daring and inventive films to date. Jump for Joy – and Sadness, Fear, Disgust and Anger – at Inside Out.
Those five emotions are the building blocks for the consciousness of a little Minnesotan girl, Riley. They take up residence inside her mind - a Mission Control headquarters that looks like a candy-coloured version of Star Trek's Enterprise bridge – and by interpreting her reactions according to which of them is the most appropriate responder, build up a bank of crystal ball-like memories, to be processed, stored and effectively shape Riley’s personality.
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Pixar’s fifteenth feature sees the animation superpower thinking and feeling its way back to their best. Coming after a worrying dip in form, including lacklustre, strategic sequels to merchandising cash cows Cars and Monsters Inc, the studio is back with one of its most daring and inventive films to date. Jump for Joy – and Sadness, Fear, Disgust and Anger – at Inside Out.
Those five emotions are the building blocks for the consciousness of a little Minnesotan girl, Riley. They take up residence inside her mind - a Mission Control headquarters that looks like a candy-coloured version of Star Trek's Enterprise bridge – and by interpreting her reactions according to which of them is the most appropriate responder, build up a bank of crystal ball-like memories, to be processed, stored and effectively shape Riley’s personality.
Continue reading…
Continue reading...