At the TCA (Television Critics Association) press tour this week, the cast and producers of The Man in the High Castle spoke about the new Amazon series. Based on the novel by Philip K. Dick (whose stories inspired Blade Runner, Total Recall and Minority Report), the story imagines an alternate history where the Nazis and their allies won World War II, picking up in the former United States in 1962 (the year the book was released).
Executive Producer/showrunner Frank Spotnitz (The X-Files) spoke about how much discussion they had about how society would have developed differently if we’d lost World War II, saying, “Obviously, we started with an alternative history that is in the novel. And, then, honestly, the biggest challenge was finding the visual alternative history, and that was something the pilot director, David Semel, confronted, because we knew from the pilot on we were establishing the rules of this world and we needed to honor them however many years this show went forward. So that does come down to hairstyles, wardrobe, types of vehicles. You know, there's a very big shot of Time Square very early in the pilot episode. Well, what would Time Square look like if we didn't live in a corporate capitalist society? What would it look like if the Nazis had proceeded for another 17 years ruling the world? What would their values be? What would their commercial values be? Would there be cars with fins? Would you have a kind of space age optimism in the design of home appliances? So there's literally thousands of props and set design and costume and hair design issues that David Semel and, then, our series director, Dan Percival, have been on the front lines of deciding.”
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Executive Producer/showrunner Frank Spotnitz (The X-Files) spoke about how much discussion they had about how society would have developed differently if we’d lost World War II, saying, “Obviously, we started with an alternative history that is in the novel. And, then, honestly, the biggest challenge was finding the visual alternative history, and that was something the pilot director, David Semel, confronted, because we knew from the pilot on we were establishing the rules of this world and we needed to honor them however many years this show went forward. So that does come down to hairstyles, wardrobe, types of vehicles. You know, there's a very big shot of Time Square very early in the pilot episode. Well, what would Time Square look like if we didn't live in a corporate capitalist society? What would it look like if the Nazis had proceeded for another 17 years ruling the world? What would their values be? What would their commercial values be? Would there be cars with fins? Would you have a kind of space age optimism in the design of home appliances? So there's literally thousands of props and set design and costume and hair design issues that David Semel and, then, our series director, Dan Percival, have been on the front lines of deciding.”
Continue reading…
Continue reading...