“We got through a few gallons of blood,” says Neil Corbould, Special Visual Effects Supervisor on Alien: Covenant. “A few litres.”
“Everyone has their own little recipe and they won't tell anyone else, and ours is just basically cornstarch and food colouring, and that's it”
During our visit to the Sydney set, we are told time and time again that Alien: Covenant is the “bloodiest film” the crew has ever worked on (and Creatures Supervisor Conor O’Sullivan worked on Saving Private Ryan).
“It's just about getting the colour right, because each camera picks up different colours”, continues Corbould. “They're very subtle, but sometimes it can look silly. It can look too red or too dark. It's just about getting the right colour pattern right. We got this stand-in that came in for the day., had no idea that she was going to be covered in blood. She nearly fainted once. We said it's not real; it's just corn syrup. That was... quite funny.”
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“Everyone has their own little recipe and they won't tell anyone else, and ours is just basically cornstarch and food colouring, and that's it”
During our visit to the Sydney set, we are told time and time again that Alien: Covenant is the “bloodiest film” the crew has ever worked on (and Creatures Supervisor Conor O’Sullivan worked on Saving Private Ryan).
“It's just about getting the colour right, because each camera picks up different colours”, continues Corbould. “They're very subtle, but sometimes it can look silly. It can look too red or too dark. It's just about getting the right colour pattern right. We got this stand-in that came in for the day., had no idea that she was going to be covered in blood. She nearly fainted once. We said it's not real; it's just corn syrup. That was... quite funny.”
Continue reading…
Continue reading...